Archive for June 2013

BUH RECORDS PRESENTA RUIDO / ELECTRONICA - JOAO ORECCHIA / JARDÍN / JGRUU / MOLUZCO ESTROBOSCOPICO / PAUCHI SASAKI & EFRAÍN ROZAS & JULIO ZAVALA

Sunday, June 09, 2013 § 0




BUH RECORDS PRESENTA:

RUIDO / ELECTRONICA


Joao Orecchia (Johannesburgo)

Jardín

Jgruu

Moluzco Estroboscopico 

Pauchi Sasaki & Efraín Rozas & Julio Zavala

Koca Kinto Restobar Cultural
Héroes de Tarapacá 177, Cercado de Lima
9 PM - 5 soles


Flyer por Hector Delgado

sobre João Orecchia



João Orecchia is an artist and self taught non-musician who has been making music for many years. His fascination is in squeezing sounds out of anything and layering them on top of other sounds squeezed out of other things. From guitars to manipulated circuits and banjos to field recordings.
He has been exploring ideas of randomness and perceived meaning, composition using found sound and field recordings and creating graphic scores. Through experimentation and improvisation Orecchia investigates the physicality of sound, seeking a balance between computer technology, hand made electronics and real world sounds such as the human voice and traditional musical instruments.
Orecchia performs with his band Motèl Mari which includes Mpumelelo Mcata and Tshepang Ramoba of BLK JKS, as well as improvised music with the likes of Lukas Ligeti, Jill Richards and Joseph Suchy. The album Eternal Peasant by João Orecchia's Motèl Mari will be out on vinyl and download in July 2012 on Other Electricities.
Orecchia also contributes heavily to the building of networks in alternative sound practice in Johannesburg by curating events that engage artists, musicians and public in a collaborative, experimental spatial relationship with the city. Invisible Cities fleetingly inhabits transitional spaces, creating momentary realities and exposing hidden layers of possibility for what life in Johannesburg might be like with a bit of imagination.

Nota en Los Inrockuptibles

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“Es increíble como es más fácil saber de lo que pasa en Estados Unidos o Inglaterra que lo que pasa en Uruguay, Costa Rica o Perú.” La frase de Luis Alvarado no es una novedad pero sí evidencia un aspecto de ese “tener todo al alcance” que posibilita Internet: todo aquello a lo que podemos acceder no viene de manera equitativa y en partes iguales de todos los rincones del planeta.

Buh Records nació en Perú en 2004, cuando Alvarado decidió armar el fanzine Autobus y organizar recitales para darle lugar al under limeño y el resurgimiento de bandas independientes de noise, electrónica y psicodelia. “Un amigo andaba haciendo un compilado con muchos artistas nuevos, muy lo fi todo y experimental. Me dijo si quería darlo de regalo con el fanzine y terminamos armando el compilado Vamos a ser felices, un disco que luego inspiró a algunos a hacer sellos y dio a conocer un espíritu under”. Acto seguido, los discos que venían con el fanzine derivaron en la creación de Buh.